Emeka Esogbue

 The Enduring Legacy of Ukwuani Highlife Music in Contemporary Anioma By Emeka Esogbue Ukwuani, a subgroup of the Anioma people, has made significant contributions to the rich cultural heritage of Nigeria. The region has produced an impressive array of talented musicians who have popularized the highlife genre, showcasing the unique sounds and rhythms of Ukwuani. This article celebrates the achievements of these musical icons and highlights the enduring impact of Ukwuani highlife music on the Nigerian music scene. Rogana Ottah, a legendary musician from the Ndokwa region who passed away about 18 years ago, is renowned for his captivating highlife performances. With a career spanning decades, Ottah has remained a beloved figure in Ukwuani music, earning a reputation as one of Nigeria's top musicians. He is not only by far, the popular choice of any Ukwuani highlife lover, Chief Mike Onwugbolu once told Nigerians that Ubulu admired the musician whom they believed to have the best sin...

 The Iwu Festival: Leveraging Satire, Sarcasm, and Social Commentary to Address Societal Challenges in Anioma By Emeka Esogbue Beyond its vibrant dance and music, the Iwu Festival, celebrated by the Anioma communities of Ogwashi-Uku, Ibusa, Ubulu-Uku, Ubulu-Unor, and Illah, employs satire, mockery, and social commentary to confront societal ills and promote positive change. This unique approach is not isolated to the Iwu Festival, as various African festivals, such as the Akan Festival of Ghana, Egungun Festival of the Yorubas, Kwagh-hir Festival of the Tiv, and Ovia Osese Festival of the neighbouring Urhobo in Delta State, Nigeria, also utilize satire, sarcasm, and mockery to address evil doers and societal ills. During the Iwu Festival, celebrants dance to traditional rhythms infused with satirical messages, using gestures, movements, and facial expressions to convey their message. The festival serves as a platform for community participation, encouraging individuals to join in r...