Pen Master Unveils Photos of Cynthia Nwamaka Jibunoh, Set to Emerge as New Omu of Onicha-Olona For the first time, Pen Master is unveiling photographs of Cynthia Nwamaka Jibunoh, the woman widely favoured to succeed the late Omu Ntoka, the former Omu of Onicha-Olona, and assume the revered traditional leadership position of the community’s female institution. The development follows recent efforts by the Onicha-Olona community to revive its female traditional institution after a six-year interregnum. In the course of the process, Cynthia Nwamaka Jibunoh, an indigene of Idumu-Ozolumuna in the Ogbe-Obi axis of Onicha-Olona, has emerged as the leading candidate for the prestigious position. Her anticipated emergence is significant, as the installation will restore continuity to an institution that has remained without an Omu for six years. If installed as expected, Jibunoh will become the latest Omu in the Anioma region, further underscoring the cultural importance of the occasion. P...
When the Living Must Not Dance: The Sacred Dance of Ibusa's Ulor By Emeka Esogbue During the Ulor Festival celebrated by the Umueze Quarters of the Ibusa community, there comes a solemn and mysterious moment when a particular dance is performed, one to which the living, even those gathered within the festival arena, must never surrender their bodies. At this sacred hour, the drummers sit or stand with their drums firmly secured between their legs, beating the resonant instruments with their bare hands. Elderly men and other ritual characters summon from the drums a deep, solemn rhythm, while sonorous male voices carry a hauntingly beautiful chant into the air. Yet, beautiful as the music may be, the living must not dance to it. This is a sacred dance offered to the ancestors, many of whom, while they walked the earth, once participated in the very festival now being celebrated in their honour. The music seems to belong to another realm: its melody is soulful, its rhythm hypnotic, ...