Skip to main content

Tribute to John Nwanze Nwabuwa (a.k.a) Nwanze Nwagbodi: an Anioma Traditional Musician of Great Repute

John Nwanze Nwabuwa (popularly called "Nwanze Nwagbodi" or simply "Agbodi") stood about four feet and six inches tall; dark complexioned and was a traditional musician of great repute. Born March 8, 1930 to Agbodi and Nwanneadiazi Nwabuwa of Umuozoma, Ogeowele Quarters in Ibusa, Delta state, Nigeria, he began to exhibit natural intelligence early in life.

In May, 1937, he was enrolled in the then Sacred Heart Elementary School, Ibusa, (Now Umejei Primary school) at the age of 7 but early death of his parents did not see him go far in his educational pursuit. Nonetheless, he began to exhibit musical talent in Anioma music though he did not immediately take up the career in music because as he was to tell disclose, there was no encouragement to enable him do so.

Early Life

Immediately after his primary school education, he was taken to live with one of his relations outside Ibusa to be catered for and brought up but he was to return to Ibusa, an act people have attributed to his inability to come to terms with the social kind of life that was totally different from what he was used to in Ibusa where he was born and had spent most of his lifetime. Again, he went to live in Jos where he started to work but would return to Ibusa, where he began to assist his uncle in the farm.

Life in Lagos


After farming for about one year, he, in accompany of other youths soon discovered that the bush they set on fire was not totally consumed perhaps due to improper and unskilled procedure, so he abandoned farming and fled and to Lagos where he took up a white collar job with the Federal Ministry of Defence. Nwabuwa was to later work in a secondary school in Lagos.

Journey to the music world

Unlike most Ibusa traditional musicians of his time, Nwanze did not begin his musical career early in life but rose to become one of the most prominent musicians to come out from Ibusa. He was best known as the lead vocalist of “Otu Ifechukwude Dancing Group of Ibusa", founded in the 1960s also known as “Egwu Ikate” among Ibusa music lovers because the group was first based in that area of Lagos. The "mother" of the group was Madam Cecilia Osadebe, constantly referred to in their songs as "Ada Nwa Osadebe" who commanded respect from the group members.

Discography/genre

The group recorded several of their albums in what was then known as “small plates” particularly with Norman Records. The last of Otu Ifechukwude's records was waxed in the 1980. A lot of Anioma traditional music lovers appreciated his kind of music because the rhythm was purely traditional  and also produced with traditional musical instruments some of which were Ubome (big gong), Isaka (maracas), Agogo (small gong), Udu, Akapele (native flute) etc. The music genre was Agbalani but sometimes Uloko and Ekobe.

Strong Igbuzo influence woven in proverbs and other forms of sayings, strong diction, eloquence and perfect understanding of Ibusa dialect were lyrical advantages enjoyed by the band. Nwanze Nwagbodi is excellently gifted in the ability to compose songs, singing his own name and marching it with tender rhythm that halted and started up every now and then, a characteristic of Agbalani. Ibusa Pathfinder, the defunct Ibusa Newspaper once described him as the Singing Bird of Ibusa.

Life outside music
Nwanze Nwagbodi was a member of Ibusa Community Development Union (ICDU), Ogbeowele Family Union, Umundofue Family Union to which he was the Diokpa until his death. He suddenly took ill and died on May 6, 1996 in Ibusa and was interred in December same year. He was married to three wives, with six children.

Achievements 
Nwanze Nwagbodi is often credited with being Igbuzo's musician to first put Igbuzo music in record with the song, "Igbuzo Nwen Ndidi" after the Nigerian Civil War in 1970. He was allegedly arrested and detained by the Gowon regime that misinterpreted the song to mock victorious One Nigeria Stand.    




About the Author:
Emeka Esogbue hails from Ibusa, Delta State, Nigeria. He is is a History and International Relations graduate.

emekaesogbue@yahoo.com
Article Source: ArticlesBase.com - Tribute to John Nwanze Nwabuwa (a.k.a) Nwanze Nwagbodi: an Anioma Traditional Musician of Great Repute
Associations, Ibusa, African Music, Nigerian Music, Nwanze Nwagbodi, John Nwanze, Ibusa Music, Tradtional Music, Nigerian Traditional Music, African Traditional Music, Anioma Music, Anioma Culture, Anioma Traditional Music, Umuozoma, Ogbeowelle

Comments

Popular posts from this blog

DIAMOND JUBILEE AGE: 20 THINGS THE WORLD DOES NOT KNOW ABOUT FRED AJUDUA

DIAMOND JUBILEE AGE: 20 THINGS THE WORLD DOES NOT KNOW ABOUT FRED AJUDUA On January 21 2020, Pen Master paid Chief Fred Ajudua a scheduled visit at his Lagos-VGC Marble Dome Home, a large and imposing house sitting on a hill from where it vigorously engages public views and attention. On entering the house, Pen Master freely walked in and around, in the spirit of the love that always binds the people of Igbuzo. The man, Chief Fred Ajudua often described as the “Architect of Modern Ibusa” is unarguably one of the biggest fish in history to have come out of Ibusa even as it is said that nearly every Ibusa family has benefited from him one way or the other. Beyond what you know about him, there seems many sides you do not know. As the Igbuzo Chief celebrates his 60 th Year birthday, your Pen Master brings you the things you do not know about the highly influential Igbuzo Chief. Pen Master also dug into the Ajudua family photo depository all for your knowledge. Happy reading!

A SHORT HISTORY OF OBOLLO CLAN IN ENUGU STATE, NIGERIA

A SHORT HISTORY OF OBOLLO CLAN IN ENUGU STATE, NIGERIA By Emeka Esogbue Introduction Not many historical literatures on the Obollo people exist for the usual reasons associated with our people who prefer to write the history of mighty and populous peoples already enriched with volumes of historical accounts and records. Thus while there are historical documents on other peoples of Igbo, for Obollo, it is the story of dearth of documents. However, it is within my historical concern that the rich history of this part of Igboland be adequately researched into, documented and preserved for the future generation. I do not hail from this part of Igboland but my historical background, interest and curiosity propelled me towards the acquisition of both oral and written information to put this material together. Geography The various Obollo communities comprising of Obollo Afor, Obollo Etiti, Obollo Eke, Obollo Orie and Obollo Nkwo are strategically situated at the regional bou

SEE HOW ANIOMA PEOPLE DRESS ON THEIR TRADITIONAL MARRIAGE THE ERA OF USING OUR TRADITIONAL MARRIAGE TO PROMOTE ATTIRES OF OTHER GROUPS IN NIGERIA IS GONE

SEE HOW ANIOMA PEOPLE DRESS ON THEIR TRADITIONAL MARRIAGE THE ERA OF USING OUR TRADITIONAL MARRIAGE TO PROMOTE ATTIRES OF OTHER GROUPS IN NIGERIA IS GONE Today is Saturday, conventionally set aside for marriage ceremonies. Awareness on how our Anioma brides and grooms attire themselves during their traditional marriage has fast spread and entrenched. We no longer promote other group's cultural attires because we want them to promote our own instead. I say many thanks to our Anioma cultural advocates on this day because our labours to preserve as well as promote the good cultures of our Anioma society have never been in vain. Noticeable now is that in   time of our traditional marriages, we costume ourselves in Akwa-Ocha which brings out our god-given beauty. A few moments after her traditional marriage in Umuodafe, Ibusa on December 28, inside the Agokei palatial home, I visited former Miss Amaka Thelma Agokei, the bride. I was rather late; but I met this beautiful bride t